Art, it seems, is turning increasingly into this kind of spiritual mass event. Something really is happening here.
Guardian 找了一些人到 Tate Modern The Weather Project 排成 G2 的形狀，有了這篇報導。在空間極大的 Turbine Hall 掛著像是太陽又像月亮的圓形巨大發光物，天花板是鏡子，乾冰繚繞，地板屬於所有人。這個展覽發出的聲音的確與平常的 Museum Noises 不太一樣，大家躺在地上在姿勢交替間傳遞語言。
The meaning of Eliasson’s The Weather Project is not determined by the artist at all. You can enjoy it without knowing who he is. And, as he is a Scandinavian artist with nothing blatantly personal in his work, even when you are told who he is, you still don’t know who he is.
丹麥館:眩目的觀看
和北歐館相比，丹麥館呈現的則像是「巨作」，在成本、企圖和規模上都比北歐館要大了許多，而丹麥藝術家奧拉佛•艾里亞森（Olafur Eliasson）的作品也的確值得一提，不僅完成度高且有強烈…